![]() ![]() On location, I typically transfer all the daily camera rolls to an external thunderbolt drive. ![]() The reason working with RAW files in the holy grail of image editing is that you have access to all the 16 bit camera data when you need to adjust the exposure or perform color grading on the image.īefore you can work with Raw media in Final Cut Pro X, you’ll need to download and install the Red Apple Workflow software available as a free download from Red.com. RED cameras record files in a format called R3D, that cannot be played back directly on many software based editing systems without first transcoding the files a process often referred to as “de-bayering”. ![]() On the heels of last week’s episode on working with MXF files, this week I want to take a look at how to work with RED footage. Welcome to Final Cut Pro X in under 5 minutes. ![]()
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